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What makes the image is not the tool: it is the choice. AI is used here the way graphic designers of the 80s adopted the computer, the way home studios brought the French Touch to life: a means of production once out of reach, now sitting on the worktable. These shots look for what cannot be filmed: an impossible cast, a light that does not exist, an entire set. The rest is craft: framing, art direction, compositing, grading. Tools change every quarter, the gesture remains.